An extended weekend course for musicians to develop their ensemble playing skills. Drawing on European folk/contemporary/popular music traditions we’ll be making new arrangements that can go in any direction. The aim is to explore and combine all sorts of influences and ideas to make spine tingling music that is more than the sum of the parts.
The course is fairly intensive and includes all day ensemble workshop sessions with the aim of performing all the pieces we create together at a public concert on the Sunday night.
“It completely revived my creative juices – just what I needed.” 2019 Participant
The course is led by musician/composer/arranger Paul James – saxophones, border bagpipes (Blowzabella, Paul James and the Drowned Lovers). We are delighted to welcome Spanish composer, arranger, teacher and virtuoso hurdy-gurdy player Germán Díaz and the return of harpist, composer and teacher Merit Zloch for the second year.
Arrive at 12 noon Friday for lunch at 1pm; depart after lunch on Monday. A detailed programme will be sent out in advance.
The participants will be divided into two ensemble groups and each group will work with all 3 tutors throughout the course. There will be at least one piece of music that involves everyone playing together as one ensemble.
Friday: Arrive by 12:30pm in time for lunch at 1pm. Introductions, what’s happening, questions. Ensemble workshops 2:30 – 5:30pm and 8 – 9:30pm. Informal music making in the bar.
Saturday: Early morning guided walk in the Quantocks for those who want to. Breakfast 8:30am. Ensemble workshops 10am – 5:30pm. Lunch 1pm. Dinner 6:30pm. Evening trip to the award winning Pebbles Cider Tavern in Watchet or free time to relax.
Sunday: Breakfast 8:30am. Ensemble workshops 10am – 5pm. Lunch 1pm. Dinner 6pm. CONCERT 8pm (course leaders and ensemble groups) followed by informal music making in the bar.
Monday: Early morning guided walk in the Quantocks for those who want to. Breakfast 8:30am. Workshops 10am – 12:30. Lunch 1pm. Finish.
“The time was used really well. Productive, fun, achieved something, but with time to relax and get to know people!” 2019 Participant
Who’s it For?
This is an advanced level course suitable for advanced and advanced-intermediate musicians of ages 16 years and above, any instrument (acoustic, electric, ancient, modern) from any musical background (folk, jazz, rock, classical, early music). You’ll need to be able to read music or play well by ear. To get the most from this course you don’t need to be the greatest musician. You do need to be able to play confidently and be positive, flexible minded and a team player prepared to try things outside your comfort zone – and have the energy for quite long intensive days of music making.
“I’ve been to all three European Weekends, and each one just gets better!” 2019 Participant
If you play more than one instrument we advise you to bring it/them as this will help you to get the most from the course in terms of playing easily in different keys/modes, and also to be able to contribute in a way that is sympathetic to the style of the piece (panpipes don’t sound great on everything…). During the course we will provide any music manuscript you need including for any transposing instruments. Please let us know your needs on the Participant Info Form – which must be completed once you have booked your place and paid a deposit.
You will be in safe hands with a very experienced tutor team in a mutually supportive atmosphere. We’ll have a lot of fun too with time for relaxation and informal music making.
“I’ve gained a bit more courage to be creative”. 2019 Participant
Bursary Places for Young Musicians: New for this year, we would like to hear from cash-strapped young musicians (we’re defining this as aged 16-25) who feel this course would be of particular benefit to them. We have a limited number of half-price dorm-room places available to successful applicants (£112.50). Interested? In the first instance please email Rachel Hill at Halsway Manor for an application form. Suitable applicants will be contacted by course leader Paul James for an informal phone / Skype interview. Places will be allocated to successful applicants on a first-come, first served basis, and are limited to a maximum of 6 places.
If you have any queries about the course, have a chat with course leader Paul James 0788 794 8853 firstname.lastname@example.org.
Any queries about food, accommodation and how to get there, follow the Your Visit link above or phone 01984 618274 ext 1.
When you have booked and paid a deposit please tell us a bit about yourself and your musical needs (for example, music needed for transposing instruments) on the Participant Info Form.
“I particularly enjoyed playing with lots of talented musicians, inspired by three great tutors with different approaches. Met old friends, and made new ones”. 2019 Participant
Paul James is a saxophonist, bagpiper, singer and composer from Newbury who writes, arranges and performs music influenced by English and other European folk traditions. Paul has toured the world with the influential folk band Blowzabella and composed for TV and theatre (he was composer for the critically acclaimed production of John Milton’s ‘Comus – A Masque in Honour of Chastity’ at Shakespeare’s Globe Theatre). He also fronts Paul James and the Drowned Lovers and plays with the folk dance band The Playford Liberation Front.
Merit Zloch is a harpist, composer and music teacher. She sees herself in the tradition of the itinerant harp players of the 19th and early 20th century, travelling with her harp throughout Europe charming people with her original compositions and arrangements of historical dance music.
She has played in bands almost as long as she has played the harp and is constantly fascinated by the interplay between musicians. She likes to arrange und develop pieces together with her band colleagues and to improvise.
Merit researches historical dance manuscripts and organises musicians meetings, bals and instrumental workshop weekends.
Germán Díaz is an award winning musician and composer, known as one of Europe’s hurdy gurdy masters, and for recent works embracing mechanical music.
He belonged to the legendary Viellistic Orchestra and co-founded the symphony quartet the Iberian Zanfona Quartet. In 2004 he created his own label, ephemeral productions, along with Fernando Fuentes. He has collaborated on more than a hundred recordings and edited numerous works as a soloist, and composed sound tracks for film, theatre and television.
“Germán Díaz is a singular voice with a plural sound, he is empowered to thrill and hold his breath with what he creates, he is able to keep the listener in suspense until the last resonance of the last note of each composition / improvisation. His musical is so broad that it is not worth reducing it to a specific aesthetic. It is better to let your music keep writing your own story regardless of what it is supposed to be. ”
Carlos Pérez Cruz, THE JAZZ CLUB.
“It is clear that Germán Díaz is the Jimi Hendrix of the hurdy-gurdy, or the Miles Davis of our folklore.”
Pablo Sanz, THE WORLD.
Here are some videos from last years’ course
This is certainly a creative course – the 2018 ensemble groups created and recorded the following videos during their weekend.
For our other European friends
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