Loading Events
  • This event has passed.

Northumbrian Smallpipers’ Weekend

Friday 27 Aug 4pm — Sunday 29 Aug 4pm, 2021

To make a booking enquiry please complete the form below. We will contact you to confirm availability and complete your booking.

Course Enquiry

  • Halsway Manor will not share your details with any third parties.

Pricing

Full board per person (tuition, activities, all meals & accommodation):

  • £262– single ensuite room
  • £225– sharing an ensuite room
  • £225– single non-ensuite room
  • £180 – sharing non-ensuite room

Camping per person (tuition, activities, all meals):

  • £170

Non Resident (tuition, activities, all meals except breakfast):

  • £160

Sunday night B&B available:

  • £40

Our long-running and hugely popular annual NSP Weekend was cancelled earlier this year due to COVID, so we’re delighted to have found a spot in our programme to sneak this weekend in! It will be led by a great teaching team of pipers Andy May, Andy Lawrenson and Alice Robinson. The weekend offers a enjoyable opportunity to develop ability, technique and repertoire with a variety of workshops and sessions, plus a very informal performance from the weekend tutors, all in the lovely setting of Halsway Manor!

Who’s it For?

The weekend is not for total beginners – you’ll need to be able to play simple tunes at a steady pace, and to read music / pick up tunes quickly by ear – but beyond that, all ability levels are welcome. We’ll divide into smaller groups for the tutored workshop sessions, which will be tailored according to ability level.

Music will be available in advance. We’ll publish a programme soon.

 The Team

Andy May was introduced to the smallpipes by his father Stan, later learning from Roland Lofthouse and Adrian Schofield, and from studying the recordings of Billy Pigg and Tom Clough. Through the 90s Andy entered many piping competitions and studied music at the University of York with the pipes as his chosen instrument. Andy has been a full-time musician since 2002, with the Andy May Trio, UK/Finnish/Danish ensemble Baltic Crossing, and with North-East band Jez Lowe and the Bad Pennies. Andy is a notable pipemaker, learning much from his father, and also Colin Ross, and teaches on the folk music degree course at Newcastle University.

Alice Robinson comes from Northumberland, and has played the Northumbrian Smallpipes for 20 years. She attended music school in Scotland for eight years and, during this time, she was a part of Kathryn Tickell’s youth group ‘Folkestra’ and was taught pipes by Dr. Anthony Robb. In 2009, she was a finalist in BBC Radio2’s Young Folk Musician of the Year. Since then, she has been broadcast on radio, including live on BBC Radio3, and has performed as a soloist with the Royal Northern Sinfonia Quartet and the Scottish Youth Orchestra. She has recorded a few albums with the Windy Gyle Band, with whom she has enjoyed playing at folk festivals (she particularly loved being at the 2014 Strakonice Bagpipe Festival in the Czech Republic). Alice is passionate about musical academia too; she has a 1st class degree from York University and a Masters from Durham University, where she has just completed her PhD in British music.  In the last year, Alice has played with the St-Martin-in-the-Fields choir, recorded two tracks on Jack Rutter’s critically acclaimed new album, and performed in a composition by René Aubry for BBC One. Her set of pipes were made by David Burleigh and she often plays a chanter which was made by Colin Ross.

Andrew Lawrenson began playing the pipes at the age of 13. Having initially been taught by pupils of Jack Armstrong, he next took an interest in the playing of Billy Pigg (as then being researched and performed by Adrian Schofield, among others). From here, his playing took on a cleaner style, with more attention to timing and precise fingering.

Having been a keen participant in piping competitions as a youngster, he continues to be a supporter of competitions, sometimes taking a role in organising, sometimes as competitor.

Andrew is closely involved with the dance traditions of Northumberland and takes much  inspiration from the need to play in a smooth, controlled manner. The links between piping and clog, rapper and ceilidh dancing have been a huge influence in his playing.

Returning to Newcastle after some years in Scotland, Andrew jumped at the chance to learn to make reeds. He cites this as a hugely liberating experience. Thanks are owed here to the Gateshead Pipe-makers’ Cooperative for their support and encouragement. Reedmaking has led him to move into pipemaking, tuning and repairing.

His philosophy on piping is that we need to re-examine our own playing styles every so often and identify aspects of style which could be improved. No matter what the stage of playing, we all have something to learn!

Share